![]() How's that for complicated? It sounds really great though, when composed and performed properly. ![]() Polyphonic texture is when you have two or more voices playing independently of each other, with different rhythms, melodies, and harmonies, yet in a complimentary way. Some people would simplify this down into "harmony", but polyphonic texture is different than that. There are a lot of technical aspects of polyphonic music too, like polyphonic texture, for instance. It really does have a very fascinating history, which you did a good job of tying in to this article. I recently became interested in learning more about the history of polyphonic music after a friend turned me on to Gregorian chant and music. "The center of polyphonic music in Europe after 1150 was."Īny music buffs out there who can help me out? Homework question for you all - I've got a fill in the blank question: Polyphonic music, therefore, caused offense to medieval ears because merging secular music with sacred music is considered taboo and uncultured by the papal court. I will say, heterophony is certainly an acquired taste, but one well worth cultivating. At the time, Avignon was the center of secular music-making and the primary seat of the antipopes. However, it's so rarely used that heterophony sounds "weird" to most Westerners when they first hear it. This is much more common in Asian music, especially Japanese Gagaku and traditional Thai and Filipino music, but some Western composers do make use of it. The School of Notre Dame trained well-known composers to compose more polyphonic music, known as Notre. This is the kind of sound where you have two voices (or more) doing a simultaneous variation on a melody line. After 1150, Paris became the center of polyphonic music. Another interesting contrast to polyphony is heterophony, or heterophonic texture.
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